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	<title>Practical Noise</title>
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	<description>tinkering with audio and technology</description>
	<lastBuildDate>Mon, 05 Sep 2011 09:00:00 +0000</lastBuildDate>
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		<title>Practical Noise</title>
		<link>http://practicalnoise.com</link>
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		<item>
		<title>Zoom release H2n&#8230; now in black and 100% more shiny</title>
		<link>http://practicalnoise.com/2011/09/05/zoom-release-h2n-now-in-black/</link>
		<comments>http://practicalnoise.com/2011/09/05/zoom-release-h2n-now-in-black/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 08:57:19 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[portable recorders]]></category>

		<guid isPermaLink="false">http://practicalnoise.com/?p=205</guid>
		<description><![CDATA[Zoom have updated the H2 to the H2n. Interesting addition is a physical recording level control.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=205&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Zoom have updated the H2 to the <a href="http://www.zoom.co.jp/news/article/289" title="H2n">H2n</a>. Interesting addition is a physical recording level control. </p>
<p><img src="http://zoom.co.jp/img/text_img/text_img_2834.jpg" alt="Zoom H2N" /></p>
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			<media:title type="html">Zoom H2N</media:title>
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	</item>
		<item>
		<title>Metadata for Music Studios</title>
		<link>http://practicalnoise.com/2010/08/03/metadata-for-music-studio/</link>
		<comments>http://practicalnoise.com/2010/08/03/metadata-for-music-studio/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 04:54:56 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/2010/08/03/metadata-for-music-studio/</guid>
		<description><![CDATA[Looks Interesting&#8230;.. an open source metadata project for music studios to &#8220;integrate metadata into the actual recording process, where recording personnel have accurate information about the content contributors: what musicians played, what takes were used, who engineered, etc. This application provides a standardized way to gather that data and to make it easily flow upstream.&#8221; [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=197&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Looks Interesting&#8230;.. <a href="http://mixonline.com/news/pandewing_bmschace_metadata_2807/">an open source metadata project </a>for music studios to &#8220;integrate metadata into the actual recording process, where recording personnel have accurate information about the content contributors: what musicians played, what takes were used, who engineered, etc. This application provides a standardized way to gather that data and to make it easily flow upstream.&#8221;</p>
<p>FROM MIX ONLINE</p>
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		<title>Build Your Own Balanced Attenuator</title>
		<link>http://practicalnoise.com/2010/06/18/build-your-own-balanced-attenuator/</link>
		<comments>http://practicalnoise.com/2010/06/18/build-your-own-balanced-attenuator/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 08:42:21 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Simple Audio DIY Projects]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=185</guid>
		<description><![CDATA[Uneeda Audio has a great site with lots of interesting audio information and links for those that way inclined, including a description of how to build your own audio attenuation pad into an XL connector. I particularly like their Bad Idea Department, which describes a short-lived (!) product that used US domestic power cables as [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=185&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.uneeda-audio.com/">Uneeda Audio</a> has a great site with lots of interesting audio information and links for those that way inclined, including a description of how to <a href="http://www.uneeda-audio.com/pads/">build your own audio attenuation pad</a> into an XL connector. </p>
<p>I particularly like their <a href="http://www.uneeda-audio.com/#misc">Bad Idea Department</a>, which describes a short-lived (!) product that used US domestic power cables as speaker extention cables! Also check out the <a href="http://www.aes.org/sections/pnw/laws.htm">Laws for Audio Engineers</a>.</p>
<p>This picture makes my eyes water! OH&amp;S anyone?</p>
<p><img src="http://www.uneeda-audio.com/bad_idea/pe1.jpg" alt="Build your own pad!" /></p>
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			<media:title type="html">practicalnoise</media:title>
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			<media:title type="html">Build your own pad!</media:title>
		</media:content>
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		<item>
		<title>Mix Magazine&#8217;s Top 10 from NAB 2010</title>
		<link>http://practicalnoise.com/2010/06/18/mix-magazines-top-10-from-nab-2010/</link>
		<comments>http://practicalnoise.com/2010/06/18/mix-magazines-top-10-from-nab-2010/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 06:03:58 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=176</guid>
		<description><![CDATA[Here&#8217;s some interesting products debuted at the 2010 NAB exhibition as reported by Mix magazine. Featured are: Euphonix MC v2 Fairlight EVO Focal CMS40 Optocore SANE RME Babyface SADiE 6 Solid State Logic C10 HD Sound Devices CL-9 TC Electronic 6000 MKII TAC System Inc. NML RevCon-RR<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=176&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://mixonline.com/news/nab_2010_report_1604/index.html">Here&#8217;s</a> some interesting products debuted at the 2010 NAB exhibition as reported by <a href="http://mixonline.com/">Mix magazine</a>. Featured are:<br />
Euphonix MC v2<br />
Fairlight EVO<br />
Focal CMS40<br />
Optocore SANE<br />
RME Babyface<br />
SADiE 6<br />
Solid State Logic C10 HD<br />
Sound Devices CL-9<br />
TC Electronic 6000 MKII<br />
TAC System Inc. NML RevCon-RR<br />
<img src="http://mixonline.com/news/7-sound-devices-CL9.web.jpg" alt="" /></p>
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			<media:title type="html">practicalnoise</media:title>
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		<title>Reverb Remover</title>
		<link>http://practicalnoise.com/2010/06/17/reverb-remover/</link>
		<comments>http://practicalnoise.com/2010/06/17/reverb-remover/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 03:23:29 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=169</guid>
		<description><![CDATA[Tacsystem have released the L RevCon-RR, a device that claims: &#8220;NML RevCon-RR is an Audio Suite plug-in that reduces reverberation and makes dilogue sound very clear as if the microphone is guided closer to the target.This is the most complete and the only solution for dereverberation on the market.&#8221; Mix Magazine says: &#8220;Mix received an [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=169&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.tacsystem.com/en/products/softwares/000563.php">Tacsystem</a> have released the <a href="http://www.tacsystem.com/en/products/softwares/000563.php">L RevCon-RR</a>, a device that claims: </p>
<p><em>&#8220;NML RevCon-RR is an Audio Suite plug-in that reduces reverberation and makes dilogue sound very clear as if the microphone is guided closer to the target.This is the most complete and the only solution for dereverberation on the market.&#8221; </em></p>
<p><a href="http://mixonline.com/news/nab_2010_report_1604/index2.html">Mix Magazine says</a>:<br />
<em>&#8220;Mix received an ears-on demo of TAC System’s innovative new plug-ins including the RTAS/AudioSuite/Audio Units/VST NML RevCon-RR reverb reduction plug-in. It features the ability to de-reverberate a signal and we can certify that the results are incredible. The NML RevCon-RS takes that same basic ability but rather than eliminating the reverberation, it separates it allowing you to steer it to back speakers in a multi-channel monitoring array for realistic surround effects.&#8221;</em></p>
<p><img src="http://www.tacsystem.com/upload/tac/NMLREVCON003.jpg" alt="NML RevCon-RR" /><br />
<em>from <a href="http://mixonline.com/gear/newproducts/new_products_june_2010/">Mix Magazine</a></em></p>
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			<media:title type="html">practicalnoise</media:title>
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		<media:content url="http://www.tacsystem.com/upload/tac/NMLREVCON003.jpg" medium="image">
			<media:title type="html">NML RevCon-RR</media:title>
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		<title>Rolls- interesting range of passive mixers and amps</title>
		<link>http://practicalnoise.com/2010/06/15/rolls-interesting-range-of-mixers-and-amps/</link>
		<comments>http://practicalnoise.com/2010/06/15/rolls-interesting-range-of-mixers-and-amps/#comments</comments>
		<pubDate>Tue, 15 Jun 2010 09:09:37 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=157</guid>
		<description><![CDATA[I&#8217;m sorta curious about building a passive mixer and came accross this: I like look the look of these products from Rolls. They make a range of cheap passive mixers that could be good problem solvers&#8230;. (as long as you accept the limitations of passive mixers). I like this.. it&#8217;s a balanced mono mic and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=157&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m sorta curious about building a passive mixer and came accross this: I like look the look of <a href="http://www.rolls.com/index.php">these</a> products from <a href="http://www.rolls.com/index.php">Rolls</a>. They make a range of cheap passive mixers that could be good problem solvers&#8230;. (as long as you accept the limitations of passive mixers). I like <a href="http://www.rolls.com/product.php?pid=PA71plus">this</a>.. it&#8217;s a balanced mono mic and RCA line input mixer with a 7W output on speaker terminals.<br />
<img src="http://www.rolls.com/images/productImg/PA71plus_Large.jpg" alt="Rolls 7W mixer and amp" />   </p>
<p><a href="http://www.australianmonitor.com.au/">Australian Monitors</a> do a <a href="http://www.australianmonitor.com.au/products/product/mixed-up">4 channel passive mixer</a> with two balanced mic inputs. The (mono) output is at mic level. Well, ya don&#8217;t get something for nothing!</p>
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			<media:title type="html">Rolls 7W mixer and amp</media:title>
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		<title>Korg Release Tiny Tiny Analog Synth</title>
		<link>http://practicalnoise.com/2010/06/07/korg-release-tiny-tiny-analog-synth/</link>
		<comments>http://practicalnoise.com/2010/06/07/korg-release-tiny-tiny-analog-synth/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 09:12:01 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=155</guid>
		<description><![CDATA[<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=155&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<span style="text-align:center; display: block;"><a href="http://practicalnoise.com/2010/06/07/korg-release-tiny-tiny-analog-synth/"><img src="http://img.youtube.com/vi/mzW9yKJIo-c/2.jpg" alt="" /></a></span>
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		<title>Pop-less Mic On/Off Switch circuit</title>
		<link>http://practicalnoise.com/2010/06/07/pop-less-mic-onoff-switch-circuit/</link>
		<comments>http://practicalnoise.com/2010/06/07/pop-less-mic-onoff-switch-circuit/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 08:58:15 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=148</guid>
		<description><![CDATA[Sick of clicking from switching condensor microphones? Build this. It&#8217;s by Bob Stadtherr and is on the Crown site. This page has some interesting stuff on mic usage. Here&#8217;s an even simpler circuit.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=148&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Sick of clicking from switching condensor microphones? Build <a href="http://www.crownaudio.com/mic_web/popless.htm">this</a>. It&#8217;s by Bob Stadtherr and is on the Crown site. This <a href="http://www.crownaudio.com/mic_web/mic-library.htm">page</a> has some interesting stuff on mic usage.<br />
<img src="http://www.crownaudio.com/images/popless.gif" alt="Pop-less Mic On/Off Switch circuit" /></p>
<p><a href="http://www.epanorama.net/pdf_redirect.php?url=http://www.discovercircuits.com/PDF-FILES/POPFREEMICSW.PDF">Here&#8217;s</a> an even simpler circuit.</p>
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			<media:title type="html">Pop-less Mic On/Off Switch circuit</media:title>
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		<title>Tune all guitar strings at once? Impossible!</title>
		<link>http://practicalnoise.com/2010/05/06/tune-all-guitar-strings-at-once-impossible/</link>
		<comments>http://practicalnoise.com/2010/05/06/tune-all-guitar-strings-at-once-impossible/#comments</comments>
		<pubDate>Thu, 06 May 2010 09:14:44 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[TC Electronics have invented the Polytune, a guitar tuner that allows you to strum a chord and see if all your strings are in tune.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=135&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.tcelectronic.com/polytune.asp">TC Electronics</a> have invented the <a href="http://www.tcelectronic.com/polytune.asp">Polytune</a>, a guitar tuner that allows you to <a href="http://www.youtube.com/watch?v=ZuJNErHSISE&amp;NR=1">strum</a> a chord and see if all your strings are in <a href="http://www.youtube.com/watch?v=gMtKCDzit1c">tune</a>.<br />
<img src="http://www.tcelectronic.com/media/polytune_persp_poly_thumb.jpg" alt="" /></p>
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		<title>VST Restores Dynamics killed by Extreme Limiting</title>
		<link>http://practicalnoise.com/2010/05/06/vst-reduces-extreme-limiting/</link>
		<comments>http://practicalnoise.com/2010/05/06/vst-reduces-extreme-limiting/#comments</comments>
		<pubDate>Thu, 06 May 2010 00:08:45 +0000</pubDate>
		<dc:creator>practicalnoise</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[free VST plug-ins]]></category>
		<category><![CDATA[radio production]]></category>

		<guid isPermaLink="false">http://practicalnoise.wordpress.com/?p=109</guid>
		<description><![CDATA[Hydrogen Audio told me about this freeware VST from Terry West Productions that claims to reduce the effects of &#8220;loudness war&#8221; type extreme limiting. I haven&#8217;t tried it yet but there&#8217;s a discussion here that gives others&#8217; opinions. Some suggest that it works similarly to iZotope’s excellent RX Audio Restoration Software. RX can often work [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=practicalnoise.com&amp;blog=10767962&amp;post=109&amp;subd=practicalnoise&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.hydrogenaudio.org/forums/index.php?showtopic=80679&amp;pid=704134&amp;st=0&amp;#entry704134">Hydrogen Audio</a> told me about <a href="http://www.terrywest.nl/utils.html">this</a> freeware VST from <a href="http://www.terrywest.nl/index.html">Terry West Productions</a> that claims to reduce the effects of <a href="http://en.wikipedia.org/wiki/Loudness_wars">&#8220;loudness war&#8221;</a> type extreme limiting. I haven&#8217;t tried it yet but there&#8217;s a discussion <a href="http://www.hydrogenaudio.org/forums/index.php?s=e5135600c498e4f7175cfe11ce3f704f&amp;showtopic=80679&amp;pid=704085&amp;st=0&amp;#entry704085">here</a> that gives others&#8217; opinions. </p>
<p>Some suggest that it works similarly to iZotope’s excellent <a href="http://www.izotope.com/products/audio/rx/">RX Audio Restoration Software</a>. RX can often work jaw-dropping miracles on digitally clipped material, but I&#8217;ve found it to be less useful on harmonic type distortion. This is an awesome tool if you work with inexperienced producers using portable recorders who bring back interviews recorded at too high a level.</p>
<p>Terry West has some other great freeware VST utilities on his site which are well worth checking out. </p>
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